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December 15, 2011
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Hey All-

Alright, so I've had this HUGE stack of Sketch Cover Variant Comics and from time to time I have posted that they are for commission, however I am really interested in getting some info. For some artists, I have in fact asked how they are able to create such wonderful work, color or black and white. I need to constantly remind myself that my style isn't the same as theirs. I would like to put forth a range for one to choose from... pencil, ink or color. However it's that last option that I continually have a problem with. I know many artists will scan and doctor their cover work in photoshop or painter, however, I'm sure there are many that don't, and their work is SO beautiful.

Examples that I've found in the DA community (and this will probably backfire on me, but it's good publicity for the artists I follow too)

My all time :+fav: Color Cover is by :iconmahmudasrar:
a couple more of his

Another great color cover by :iconcinar: :thumb193954471:

Now, we finally get to the good pencil covers from :iconcsyeung:
a couple more of his

One pencil by :icondenart:

And inks by :iconwya:

So I guess for artists... the questions are abundant. Copics are used. Watercolor by chance? I know gouache has been used on a rare few. Do you ink after you color? Easy to erase pencils, if you're using 2H 2B F or HB? Do you put like a piece of copy paper or something between the cover and interior pages while creating your sketch/sending it to someone?

Collectors - Which do you prefer? Why do you like one over the other ( pencils instead of inks. colors instead of pencil...) I've seen some outrageous prices for a cover to be done by certain artists. I can't say I'd be doing triple digits for pencil or ink (guess it depends on how much detail) but some people are getting that much... insane.

I'd really like to start selling these next year. I never intended on keeping them for myself lol. Well, except maybe one.

Anyways, please fill me in via comments on some of these answers, if you'd be so kind. If you have friends that have worked on these covers, or friends that have collected, I'd like to hear their feedback as well.
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:iconcsyeung:
=Csyeung Dec 15, 2011  Professional Traditional Artist
Thanks for showcasing my work Jon heh. I start out with a light pencil, 2H, then when everything is figured out, i move onto H and then HB. I wouldn't try watercolors on these though as I have a good feeling they will warp ( i did do a few highlights, minimal watercolor on one at a con and it was fine though). Hardest thing about the covers is trying to keep the comic still in pristine condition, ie, no creasing, dinging the corners as I know that is important for the collectors. It is still a comic book. The guy that I worked with made makeshift bag/board covers that had the front cut out. Only problem with that is that I couldn't draw to the edges so I took it out, which was fine by the collector, but had to be careful not to ding the corners. He ended up CGCing them after. Also pick good covers with good front cover stock. The Avengers ones I had, even slight has the A in light grey which runs diagonal across the front. You can see the color shift if you look closely at the pencils. Not much you can do to cover those. Hope that helps. The more recent sketchcovers are pretty good though, no more gloss.
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:iconjonriggle:
~JonRiggle Dec 15, 2011   General Artist
Thanks Craig! That process was what I was hoping to hear about from you pros. That's what I'd like to do. I've done one wolverine cover but I used col erase and didn't do much of anything for shading or added color. Which, anyone that looks at my work, knows I don't do a ton of awesome detail like you, or :iconleinilyu:or :icondiablo2003: There are times I break that and have fun with my pencil work. I love the energy that I can get from pencil work. It becomes too sterile for me when I ink and loses that luster that you would see in the earlier stage.

Thank you for the important tips too. I have covers going back to the Secret Invasion, waiting to be worked on. I stopped buying them a few months back though. I may consider buying a few others this weekend, if I see a title that strikes my fancy.

I noticed that 'A' in the background and thought "Well, it's not the best idea in the world on the sketch cover, but it beats that awful watermark TOPPS had on ESB sketch cards and what not lol.

Thanks again for chiming in on this, bro! You are da best!
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:iconscottzirkel:
~scottzirkel Dec 15, 2011  Professional Traditional Artist
Great question! I've typically used my standard sketch card tools: Prisma and Copics with a standard liner pen. For me it's always a challenge not to smudge the crud out of them. I haven't done a lot, but the first few I did were back on the really slick stock, which was just horrible. The matte stock is much better. I have a small stack I need to just experiment with and see what works best. Pencil might be good, if it holds well.

To be honest, I'm looking forward to hearing the answers as it's a question I've often wondered myself.
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:iconjonriggle:
~JonRiggle Dec 15, 2011   General Artist
Thanks Scott! Those Glossy covers are friggin murder! I have a number of those. I had been curious if erasing the heck out of the cover MIGHT take away some of that gloss, like the residue from the Marvel Masterpiece 3 cards, then work on em. Sadly, I was an idiot and no such luck lol.

I love doing pencils or inks on covers like this. Color, as fun as it is, CAN ruin a piece if you're not confident enough in your abilities. Which, with something like this, I'm insecure as hell lol.

I've asked this question a few times and rarely received an answer. The people that I showed artwork from, are the ones that gave me some insight. However, I'm still wanting to know more. Heck, I'd like to find a youtube vid or something on livestream or ustream of a fellow artist cranking out these covers. I hope we receive more answers as well, man!
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